HMS 63


HMS 63

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SIXTY-THIRD SEASON 1980-81 The HUDDERSFIELD MUSIC SOCIETY WT.

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All concerts at the Venn Street Arts Centre at 7-30 p.m. Monday, 29th September, 1980 GORDON FERGUS-THOMPSON Prelude and Fugue in F minor, Book I Andante Favori in F major ... Sonata in A major, Op. 101 Suite Bergamasque Sonata No. 8, Op. 84 Gordon Fergus-Thompson was born in Leeds in 1952 and is considered to be one of the most exciting talents of the younger generation. In 1978 he was one of three musicians to be awarded a Music Fellowship by the Calouste Gulbenkian Foundation, Lisbon. He now has a busy schedule of concerto appearances and recital tours in Great Britain and on the Continent. Monday, 20th October, 1980 THE ALBERNI STRING QUARTET Howard Davis Peter Pople .... Bach ... Beethoven ... Beethoven Debussy .... Prokofiev Roger Best David Smith String Quartet No. 6 in C major, K.465 .... ("The Dissonance") String Quartet No. 2 in C major, Op. 36 (1945) String Quartet in E minor ... .... Mozart Britten ... Verdi The Alberni String Quartet was formed at the Royal Academy of Music and was coached intensively in its early years by Sidney Griller. They later received active encouragement from Benjamin Britten who worked with them on his 1st Quartet. Concert tours have taken the Alberni not only to Australia and New Zealand (where they were resident at the University of Canterbury), but also to the Far East, most of Western Europe and lately America. Canzonets ... Shepherd on the Rock Theme and Variations for clarinet and piano Monday, 1st December, 1980 THE YORKSHIRE BAROQUE SOLOISTS Yvonne Seymour (Soprano), Lesley Schatzberger (Clarinet) Peter Seymour (Fortepiano) 6 German Songs for soprano, clarinet and piano ... Spohr Sonata in B flat for piano Mozart Mozart Little German Cantata .... Lieder .... Mozart Haydn Schubert Weber Seymour to Yorkshire Baroque Soloists was formed in 1973 by Peter perform music of the 17th and 18th centuries on original instruments from that time or on good modern reproductions. The group has appeared in various combinations from duo to orchestral size and it forms the basis of the baroque part of York Early Music Festival. It is gratifying to know that the Seymours both received their early training at the Huddersfield School of Music.

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To the Hon. Secretary, 37 Gynn Lane, Honley, Huddersfield, HD7 2LE APPLICATION FORM (for the use of NEW MEMBERS ONLY) Double (Single) Season Tickets for which I enclose £.. Please send me Name Address (BLOCK LETERS PLEASE) Cheques should be made payable to "The Huddersfield Music Society" issued unless requested will not be Receipts President: J. C. S. SMITH, Esq. Vice-President: P. L. MICHELSON, Esq. Joint Hon. Secretaries: Mrs. J. de Nikitin-Solsky 37 Gynn Lane, Honley, HD7 2LE Tel. Hudds. 661696 Mrs. E. Glendinning 2 Sunny Bank Road, Edgerton Huddersfield, HD3 3DE Tel. Hudds. 22612 Hon. Treasurer: P. Michael Lord, Esq. National Westminster Bank Ltd. 132 Huddersfield Road, Mirfield WF14 8AL Tel. Mirfield 493188 Executive Committee: H. J. Black J. F. Crossley S. H. Crowther D. Dugdale Miss M. A. Freeman E. Glendinning S. Rothery Mrs. C. Stephenson J. G. Sykes Mrs. J. H. Sykes W. E. Thompson Ladies' Committee: Miss M. A. Freeman Chairman Miss I. Bratman Mrs. A. Crowther Miss K. Evans Mrs. E. Glendinning Miss M. Hamer Mrs. J. de Nikitin-Solsky Mrs. J. Shires Mrs. J. H. Sykes Mrs. C. Stephenson

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Monday, 19th January, 1981 THE AULOS ENSEMBLE Douglas Reed (Violin) Paul Mountain (Violin) Anna Shuttleworth (Cello) Philip Wilby (Viola) Duncan Druce (Viola) Carol Yeadon (Cello) Ricercare in 6 parts (Musical Offering) String Quintet in C major String Sextet in G major, Op. 36 ... This Ensemble was originally formed in 1974 in collaboration with Alexander Goehr at the Music Department of Leeds University. It has since played extensively in this country, at the South Bank in London, at the festivals in Cheltenham and Leeds, and on the radio. In Spring, 1978, it made its first trip abroad, touring Holland at the invitation of the Gaudeamus Foundation for New Music. Monday, 23rd February, 1981 THE PRO ARTE STRING QUARTET OF SALZBURG Harald Herzl Werner Christof Brigitte Schmid Barbara Luebke String Quartet in D major, Op. 50, No. 6 ("The Frog") .... Bach Boccherini Brahms String Quartet in B flat major, K.589 Quartetsatz in C minor, D.703 String Quartet in A major, Op. 41, No. 3 ● .... Haydn ...... Mozart Schubert ..... Schumann We welcome a return visit of the Pro Arte Quartet following their highly successful tour in 1978. They have recently undertaken equally successful tours in Germany, France and Italy. In July 1980 they appeared in the Haydn Festival of Chamber Music at the Wigmore Hall. Thursday, 12th March, 1981 SYLVIA ROSENBERG AND CRAIG SHEPPARD Theme and Variations ..... Sonata in G minor Sonata in A major, Op. 13 Sonata in F major, Op. 24 ("The Spring") ...... Beethoven Rhapsody No. 1 Bartok ..... Messiaen Debussy Faure Sylvia Rosenberg was born in New York and graduated from the Juilliard School of Music. She has played with major orchestras in Europe and the U.S.A. She has toured the Far East and, more recently, Australia and New Zealand. Craig Sheppard also was born in the States. In 1972 he took 2nd prize at the Leeds Piano Competition. Since then he has been heard in four continents, including concerts in many of the European capitals. S S S STS 0 Ti in th re th DA BE

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TICKETS Season Double Season Single Single concert ..... Obtainable from: Hon. Secretary (Tel. 661696) Huddersfield Information Centre Albion Street (Tel. 37461 Ext. 285) or at the door. STUDENTS £12-00 £7-00 £2.00 Season ticket Ticket for 1 term Single concert ..... £3.00 £2.00 £1.00 Obtainable from the Music Department of the Polytechnic or at the door. LAST SEASON'S MEMBERS Tickets as issued last year to all exist- ing members are enclosed herewith. If they are not required, they must be returned to the Hon. Treasurer not later than 20th September, AFTER WHICH DATE NO RETURNED TICKETS CAN BE ACCEPTED. 1 FORM (for the use of PRESENT MEMBERS ONLY) REMITTANCE To the Hon. Treasurer, The Huddersfield Music Society, National Westminster Bank Ltd. 132 Huddersfield Road, Mirfield, WF14 8AL in payment for Double (Single) Season Tickets I enclose £. Name Address To assist the Treasurer, please enclose this form.

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COVENANTED GIFTS The Committee appeals to all members if possible to make a special contribution in the form of a Covenant. This would not be related to the normal subscription and, with the tax benefits accruing to the Society therefrom, would be a most valuable means of ensuring the continuance of these Concerts. THE SOCIETY IS GRATEFUL FOR FINANCIAL HELP FROM THE FOLLOWING: F. ROWCLIFFE, Esq. (Hon. Vice-President) The Rt. Hon. THE LORD SAVILE, J.P., D.L. (Hon. Vice-President) Dr. H. J. BLACK G. R. BOOTH, Esq. F. BRATMAN, Esq. Dr. M. C. BRIERLY Mrs. E. CROSSLAND J. F. CROSSLEY, Esq. A. G. CROWTHER, Esq. Mrs. A. CROWTHER DAVID DUGDALE, Esq. C. ENGLAND, Esq. Miss M. A. FREEMAN EDWARD GLENDINNING, Esq. THE GOETHE INSTITUTE KIRKLEES LEISURE SERVICES P. MICHAEL LORD, Esq. NATIONAL FEDERATION OF MUSIC SOCIETIES RELIANCE GEAR CO. LTD. S. ROTHERY, Esq. Mrs. C. STEPHENSON Dr. S. L. H. SMITH J. G. SYKES, Esq. W. E. THOMPSON, Esq. J. J. VALNER, Esq. H. MARSHALL WILLIAMS, Esq. YORKSHIRE ARTS ASSOCIATION The National Federation of Music Societies, to which this Society is affiliated, gives support towards the cost of these Concerts with funds provided by the Arts Council of Great Britain. Generous support is also given by the Yorkshire Arts Association.

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(ONS DE THE THE HUDDERSFIELD MUSIC SOCIETY &abuler! Corg baner Sixty-third Season to dood term ofT baed and exod Bas SSVI senoj ord d3 Ils ni asu Oxxo bridd rontin ons d 1980 - 81 ex ju to brhit tot ont bra s ody eaodd to Monday, 27th September, 1980 udent bevez TH ant bevez gntand do GORDON FERGUS THOMPSON ************ emootovo o edj dordw 1. Intend Prelude & Fugue Andante Favori in F major Sonata in A major, op. 101 smut m in F minor, Book 1 PROGRAMME dyfno Tips is Iyde un augo Juont ** I es y Dino al at aeoefa bisodyo noblo edt 10, auusood bar asosoomboom avox caodt vino as yo ned [supe dIvoritib ald Stojni odai hobivth Bachovsdoo ovis Jon bib Beethoven P eau, of arroso Beethoven ave STI misel of arro.bone stis exs soggi HT Interval Spreabral a esw Toival Joë di 31 oals Jud bobmo't od of sew ofeum ve ont mort gaigner no noffor Debussy Debussy.com Prokofiev Suite Bergamasque Sonata no 8 in Bb, op. 84 bas moming yiromrol MO. brs, tat m erslodoa Isotaom to Isow Isipo as bas Gordon Fergus-Thompson was born in Leeds and gave his first public recital in Bradford, at the age of thirteen. After studying with Gordon Greene he worked with John Ogden, Peter Katin and, in Paris, with Alexis Weissenberg. TOT SH of otom om noo oвoissTy odnebnA A highly acclaimed Wigmore Hall Recital in January, 1976 was followed by numerous engagements with Music Societies and Festivals and, in 1978, he was awarded a Music Fellowship by the Calouste Gulbenkian Foundation. ehf edd I bruoto dr.tw dogo lo duo asw odnabos bw Elduq esw JI ndance and to faer 3

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Prelude & Fugue in F minor, Bk. 1 The first book of preludes and fugues was finished in 1722 and bore the heading:- "The Well-tempered Clavier, or Preludes and Fugues in all the tones and semi-tones, both with the major third or ut, re, mi, and with the minor third or re, mi, fa. For the use and profit of young musicians who are anxious to learn, as well as for the amusement of those who are already expert in the art". Bach (1685-1750) As early as 1720 Bach had begun the practice of composing keyboard pieces in all the 24 major and minor keys. Hitherto, because of the older mean-tone system of tuning keyed instru- ments, composers had only been able to use a certain number of keys, as only those keys were perfectly in tune. To overcome this difficulty, equal temperament was evolved, by which the octave was divided into 12 semi-tones of equal vibration ratio. This scheme did not give perfection in tuning, but it did enable composers to use keys which had been impossible. The appearance of the first book of the Well-tempered Clavier was a landmark in the history of music. Not only did it set the seal upon a method of tuning upon which all later music was to be founded, but also it contained a wealth of mood and emotion, ranging from the most sublime to the light- est and gayest, formerly unknown and later never surpassed, and an equal wealth of musical scholarship, defining and establishing for all time instrumental counterpoint and fugue (C.A.S.) Andante Favori in F major Beethoven (1770-1827) Andante grazioso con moto (Last performed in 1943 by Franz Osborn) The Andante Favori was written about 1804 as the middle movement of the Waldstein Sonata, op. 53. Beethoven replaced it(with the profound 'Introduzione) because he realised that the andante was out of touch with the harmonic style of the rest of the sonata. It was published without opus number.

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Sonata in A major op. 101 Allegretto ma non troppo Vivace alla marcia Adagio ma non troppo Allegro (Last performed in 1965 by Stephen Bishop) This sonata dates from 1816 and is the first of a group of five sonatas which form the culmination point of Beethoven's piano music. Between 1816 and 1821 he wrote no major works but these sonatas, bringing to them all the experience of his life and art. al Beethoven had long since discarded the former sonata plan. Although this sonata has four movements, the divisions are lightly marked and linked together so that the whole moves towards the climax of the last movement. Suite Bergamasque Beethoven The opening allegretto is like a tender, gently moving song; its parts flow like a string quartet. The second movement, March, takes the place of the scherzo. The term Scherzo is only once used in these late sonatas; the boisterous humour has gone, to be replaced by something more subtle. A canon forms the contrasting middle section. The short Adagio is full of the yearning with which Beethoven directs it should be played, langsam und sehnsuchtvoll; a short coloratura leads, not to the finale, but to a repetition of the gentle opening theme. The finale itself is in sonata form. Interval EMAITZERT CATATAUH Debussy (1862-1918) Prelude Menuet - Clair de lune - Passepied S Written in 1888 89, the Suite Bergamasque marks the beginning of several pointers of things to come. It is in the form of a classical suite; the prelude free in form and rich in lyrical ideas with an occasional startling modulation. The menuet is notable for its subtle use of modal tonalities. Clair de lune has achieved great popularity, and justly so, for it is a masterpiece of subtlety, full of delicate romantic feeling. It represents perhaps the first flowering of the essential Debussy atmosphere. Passepied is a brilliant and sophisticated pastiche of an eighteenth century dance form.

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Sonata no. 8 in Bb, op. 84 Andante dolce allegro moderato Andante sognando Le Vivace - allegro bon marcato (First performance at those concerts) Prokofiev (1891-1953) Prokofiev left his native land for the U.S.A. in 1918 and returned to Russia in 1933, the year of the birth of the Third Reich. The following five years saw the composition of Lt. Kije, 2nd violin concerto, Romeo & Juliet, Peter & the Wolf and Alexander Nevski. His 8th Sonata for piano, the last of the three war sonatas was begun in 1939 and finished in 1944, along with Cinderella and the Fifth Symphony. 400 edjosos This sonata is Prokofiev's longest (half an hour) and comfo consists of a movement in sonata form, preceded by an intro- duction marked andante dolce, a romantic slow movement ber(dreamily) and a finale full of fireworks and virtuosity. *** Monday, 20th October, 1980 oth Octob ** 20102 NEXT CONCERT OF THE HUDDERSFIELD MUSIC SOCIETY [A co de Llovddovendea THE ALBERNI STRING QUARTET (Mozart, Britten & Verdi) 00 od 90 HUDDERSFIELD THESPIANS Venn St. Arts Centre at 7.30 p.m. 6th - 11th October. HOBSON'S CHOICE by Harold Brighouse. 93 fra HALIFAX PHILHARMONIC CLUB Thursday, 16th October at 7.30 p.m. graniged o THE TAKACS NAGY QUARTET with Kalman Berkes (Clarinet) (Beethoven, Bartok, Brahms) Harrison House, Harrison Road, Halifax. OD 2008 CONTEMPORARY MUSIC NETWORK. TOWN HALL, ort .9 Wednesday 5th November, 1980 ot Half Tony Coe's Group with the Delme String Quartet (Berg, Jazz works and Tony Coe's "The Buds of Time") (Reduced prices for members of Music Society) HUDDERSFIELD noedon og boveidos wholjdue to taqanneq bolgozes! goodria to

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(1991-davi) tussol 20 HUDDERSFIELD MUSIC SOCIETY ***** *** Sixty-third Season 1980-1981 Monday, 20th October, 1980 Howard Davis Jao Peter Pople Roger Best David Smith amo o ono dofriw ad THE ALBERNI STRING QUARTET ******** ****** th, bollno-oa Programme st String Quartet in C major, K. 465 String Quartet No. 2 in C major, op. 36 Interval 1 ds vol s Violin c Violin Viola Cello 4 dadd ol g "p EOVE it odt 102 beveig Mozart Britten al String Quartet in E minor The Alberni is Resident Quartet in the new town of Harlow, near London. This patronage has enabled them to travel widely and develop their career in many ways; they were resident at the University of Canterbury, New Zealand, and, lately have been "visiting artists-in-residence" for a series of concerts in Western Australia. 1o en Verdi Concert tours have taken them also to the U.S.A., the Far East and Western Europe. Tonight, the Quartet is playing a work by Benjamin Britten, who coached them in his first string quartet and in works by Shostakovich. row od mody of Lou

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45 String Quartet in C major, K. 465 Adagio Andante cantabile Minuet and trio Mozart (1756-1791) Allegro molto Albern 1980 performed in 1969 by the Dekany Quartet) the (Last The quartet in C is the last of a set of six, written between 1783 and 1785 and dedicated to Haydn; the whole set forms one of the finest monuments which one composer has ever erected to the memory of another. The last three quartets of this set were played for the first time in Vienna in 1785, when Haydn said to Mozart's father: 'Before God and as an honest man, I tell you that your son is the greatest composer known to me either in person or by name! He has taste and, what is more, the most pro- found knowledge of composition'. This quartet is the only one to open with a slow introduction. The so-called dissonances were considered, on its appearance, to be so peculiar that one princely amateur tore up the parts in a fury at the outrage, and copies were returned from Italy for correction. We now realise that these discords are the outcome of Mozart's deep contrapuntal studies, and that the "ugliness" is a part of the beauty and aesthetically right. What romains surprising is that Mozart should have placed such a passage one of the most pessimistic of all his writings quartet which is otherwise so straightforward and unproblematical. in a C.A.S. String Quartet No. 2 in C major Benjamin Britten (1913-1976) Allegro calmo senza rigore Vivaco Chacony sostenuto (First performance at these concerts) Britten's second quartet was given its first porformance on 21st November, 1945, the 250th anniversary of the death of Purcell, to whom the work is a tribute from one who had a great admiration for him.

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The quartet's tribute lies chiefly in its final Chacony, the othor two movements being rather in the classical style. The first movement makes extensive use of the interval of a tenth; its three main ideas are heard in swift succession. They all use this interval, and both development and recapitula- tion display imaginative explorations of this basic principle. The serene coda-re-emphasizes the same interval. The second movement is a scherzo and trio in all but name. The whole is played con sordino and has an eerie quality in complete contrast to the third movement. The chacony theme is announced by unison strings; twenty- one linked variations follow, divided into four groups. These groups are separated by cadenzas for cello, viola and first violin respectively. The work ends with a powerful coda. Coffee Interval String Quartet in E minor. Allegro Andantino Prestissimo G.C. Verdi (1813-1901) Scherzo fuga; allegro assai mosso (Last performed in 1958 by the Carmirelli Quartet) Verdi wrote this quartet during the spring of 1873 in Naples, where it received its first performance at the composer's house. It follows Aida (1871) and precedes the Requiem (1874). The last, Shakespearean, operas, Otello and Falstaff, were still to come in 1887 and 1893. The quartet is constructed on classical lines; nevertheless its treatment and its harmonies are very characteristic of the composer. The first movement is founded on a very dramatic theme and has, in its vitality, a strong resemblance to the music of Aida. The Andantino is a theme with variations. The third movement is a scherzo; in the trio, the cello forgets that this is a string quartet and breaks. out in a serenade! The last movement is a fugue, very freely interpreted.

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NEXT CONCERT OF THE HUDDERSFIELD MUSIC SOCIETY *** Monday, 1st December, 1980 at 7.30 p.m. om YORKSHIRE BAROQUE SOLOISTS Yvonne and Peter Seymour (Soprano & fortepiano) and (Spohr, Mozart, Haydn, Schubert and Weber) HALIFAX PHILHARMONIC CLUB Harrison House, Harrison Rd. Halifax. LINDSAY STRING QUARTET 18goa WORD (Mozart, Wolf, Beethoven) Jovijosqeer abfolv Friday, 21st November, 1980 at 7.30 p.m. ELLAND & DISTRICT MUSIC SOCIETY Lesley Schatzberger, Clarinet. Piano recital by Benjamin Frith CONTEMPORARY MUSIC NETWORK Friday, 31st October 1980 at 7.30 p.m. Providence United Reformed a Church. Elland. HUDDERSFIELD THESPIANS Tony Coe's "The Buds cf Time" end with the Delme String Quartet. TOWN HALL, HUDDERSFIELD. no babhuol Wednesday, 5th November, 1980 at 7.30 p.m. (Reduced prices for members of Huddersfield Music Society) exedras fas! Ist I Os Venn St. Arts Centre "Stevie" by Hugh Whitemore znoltatrey domodis et November 12th to 17th 1980 at 7.30 p.m. bodorqrotat foort vrov cougut s

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ers-best) 3 niaga dised woy w ob HUDDERSFIELD MUSIC SOCIETY. ** ***** mod ut au lojas *Ited 62 Ian bas Sixty-third Season 1980-81 I to ogrove Monday, 1st December, 1980 Jom Jarit JO JYORKSHIRE BAROQUE SOLOISTS (8981-081) rodow 88 dom en Yvonne Seymour of Jnow xodek oorld bet Lesley Schatzberger to move.fg of bollovsat Peter Seymour anoitatiev bne omenT ont ba ** & Jonbralo Tot anoitsizeV & omedT Soprano oft MI Clarinet sorg odj Is Fortepiano 0 dong Sasvite extravo, a tr" now. Yorkshire Baroque Soloists was formed in 1973 by Peter Seymour to perform music of the 17th and 18th centuries on owT (original instruments or on good modern reproductions. Since then, the group has appeared in many different combinations from duo to orchestral size. I (SUBO Yvonne Seymour studied at the Huddersfield School of 170 M ovA (Music and at the Guildhall S. of M. Her repertoire is large ranging from renaissance to contemporary and includes opera, oratorio and solo recitals (usually with her husband, Peter o Seymour) (858- Peter Seymour studied at Huddersfield School of Music and at York University for D Phil in performance of baroque music. He is the director of the Y.B.S. and conducts the Yorks, Bach Choir. He and his wife have made tours in Denmark, W. Germany, Italy and France. of ort no bredigera de Jost ni od cred 7. Lesley Schatzberger was born in Manchester into a Viennese family. She studied clarinet at the Royal Manchester College of Music and then went on to York University and the Royal Academy of Music. Her main area has been in chamber music, and besides forming the Meridian Ensemble in 1976, she has performed with the Fitzwilliam Ensemble. She has recently performed in moe OUT OF the U.S.A. and recorded in Belgium and W. Germany. lov The Yorkshire Baroque Soloists appear at this concert byr special arrangement with the Yorkshire Arts Association, which has helped with the cost of the artists' fees. at moog oft oaforrojni odd W 100 +291

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2. 3231502 DIGUN RETRACKOUT Parto! ma tu ben mio (From Clemenza di Tito) **Mozart (1756-1791) So be it, I'11 go, but, beloved, give me your heart again and make me as you would have me; I will do whatever you wish. Look upon me, beloved, I hurry to avenge you; I shall never again forget when our eyes first met. Die ihr des unermesslichen Weltalls Schopfer ehrt Mozart. Theme & Variations for clarinet & piano Weber (1786-1828). In the year 1811, Weber went to Munich, where he met Bärmann, the greatest clarinet player of his time. He composed three clarinet concertos for Barmann and, later that year, travelled to Prague in his company, where he composed the Theme and variations op. 33, the theme coming from "his overture, Silvana. Haydn (1732-1809) Two Canzonets: My Mother bids me bind my hair The mermaid's song With Verdure Clad (Creation) Ave Maria (Offertorium) Hirtenlied Interval Sonata in Bb for piano K. 570 Allegro Chorubini (1760-1842) Meyerbeer (1791-1864) Mozart. Adagio ma non troppo - Allegretto Der Hirt auf dem Felsen Op. 129 Schubert (1797-1828) Last performed by Ilse Wolf, Jack Brymer, Martin Isepp in 1958. "The Shepherd on the Rock" was written in October, 1828 and may well have been the last song which Schubert wrote. In fact, it can hardly be called a song; it is rather an operatic scena in concertante style. The piano part is very slight and not comparable with Schubert's usual expressive piano accompaniment. It was written for Anna Milder-Hauptmann, a Berlin soprano. She was an admirer of Schubert's music and had asked him repeatedly to write something which would give full scope for her romarkable voice. It is certainly a testing piece for the singer, with its leaps of ninths and tenths. The poem is by Müller, the poot of the Schöne Mullorin and the Winterreise song-cycles.

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រ 1 3. Die ihr des unermesslichen Weltalls Schöpfer ehrt. You who honour the Creator of the Infinite Universe, calling him Jehovah or God or Fu or Brahma, give ear! Harken to words from the trumpet of the Lord of all. Its eternal sound rings loud through earth, moon, suns; give ear, Man, give ear to it also! Love me in my works, love order, symmetry and harmony! Love, love one another, yourselves and your brother, love yourselves and your brothers! May you be adorned with bodily strength and beauty, be enobled by the clearness of your mind! Offer for brotherly hand of eternal friendship, Withheld so long by delusion merely, never truth! Break the bonds of this error, tear aside this veil of prejudice, shed from yourselves the garment that disguises humanity as sectarianism! Into sickles beat the weapon that till now spilt blood of man, of brother! Blast rocks with that black powder Which oft into heart of brother hurled murderous lead! Think not that on my earth any true ill fortune is! Teaching alone it is which does good, spurring you to better deeds; you, mankind, who wander in unhappiness, when, foolishly blind, you kick against the pricks which should drive you on, forwards, forwards. Be but wise, be vigorous and be brothers! Then shall my whole favour rest upon you, then shall your cheeks be wetted only by tears of joy, then shall your laments turn into rejoicing, then shall you make of deserts vales of Eden, then shall all in nature smile upon you, then shall be attained life's true good fortune! Franz Heinrich Ziegenhagen. Mozart. YI

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HUDDERSFIELD MUSIC SOCIETY . to Monday, 19th January, 1981 odd to to NEXT CONCERT o sob ad ot Tojser erf worrod odw tiol THE AULOS ENSEMBLE to avodob mid gat lao at most abrow of neobisH E 4. (Bach string sextet from Musical Offering, Boccherini quintet in C and Brahms Sextet in G) elf so ovly a ne Venn St. Arts Centre. ashrow yr ol om ovol lynomied bas vadomnyetobio ovoI Tedford oy bna sovioenuorodtona ono ovo ovol Iesadford quoy bas seviouoy ovol ddiw b M HUDDERSFIELD THESPIANS January 12th - 17th, 1981. "Ten Little Indians" Venn St. Arts Centre. at vď by Agatha Christie yd gnol oe bi 7.30 p.m. and to at 7.30 p.m.o atrit to abrod ert szerd sofouterg to Itov sidt obian teet Jaomisy ont sovioequoy mort berla HALIFAX PHILHARMONIC CLUB Friday, 12th December, 1980 to boold tige won nem Tobwog sosid Jadt d. (woodwind) on oft bool THE ALBION ENSEMBLE o 9110 alobiq ed ebrai ELLAND & DISTRICT MUSIC SOCIETY Friday, 12th December, 1980. vot ho doldW (Ibert, Mozart, Nielsen, Rossini, Debussy, Francaix) blod? bong poob Ho idono! Heath United Reformed Church, Free School Lane, at 7.30 p.m. galb de lote of I It Jeft w ofw br Y tq tege lo voy batid vidaloot norw wolno oy ovlab binode dold United Reformed Church, Huddersfield at 7.30 p.m. 18 dotantoll ed bas euorogiv od oaiw jud ol dass wovst slow va Isde monT vor bendew RICHARD WIGMORE (Bass/baritone) oy [Ende neit Philip Pilkington reek (piano) voy Lade rods Tuoy [foria sodd Joy IIe IIste norit baot

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(0271-2831) on gai HUDDERSFIELD MUSIC SOCIETY (adoonop Sixty-third Season, 1980-81 netean edt mot Monday, 19th January, 1981 no ont betivni jasno venn st. Arts Centre Douglas Reed mon) Paul Mountain A181 on *** Programme Y PATCH JARD 20 AULOS ENSEMBLE Isa odd nt consta vem *** bou I violin to do Philip Wilby do viola violin lyde 10 edoail Anna Shuttleworth Duncan Druce viola Carol Yeadon (of te mb Ricercar in six parts (Musical Offering ASI I obenesdiá d Woos ont of rosoqmo cello be cello JountM İg Yodneo deon erit of agnofed Jeograf odd Bach brucs 10 esonis of bra setog JooMilgam ohnodation to ano Boccherini a um 29 eman ed String Quintet in C major (2081-81) Introdoco String Sextet in G major, op. 36 Formed in 1974, in collaboration with Alexander Goehr at Leeds University, the Aulos Ensemble has played extensively in this country, including the South Bank, Leeds and Cheltenham Festivals. They have also toured on the continent, notably in Holland for the Gaudeamus Foundation for New Music. Intervalote at detatu gabete 0 IT The Aulos Ensemble appears at this concert by special arrangement with the Yorkshire Arts Association, which has helped with the cost of artists' fees. nino12116 bad tud bibel Coo pa at bett H Brahms de s 1 of 17 İxlam

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Ricercar in six parts from the Musical Offering Bach (1685-1750) (First performance at these concerts) In 1747, on hearing great praise of Bach from the Russian Ambassador, the Prussian King Frederick the Great invited the composer to the court at Potsdam. After demonstrating on the many pianos in the palace his incredible mastery of improvisation, Bach asked the King to give him a theme of his own for a fugue. This the King did and Bach was so intrigued by its possibilities that he wrote a truly royal set of polyphonic (many-voiced) compositions in the strictest style based on this subject, and had them engraved under the title "Das Musikalische Opfer". The name, ricercar, (Italian: search) was given in the 18th century to an especially elaborate fugue. "The six-part ricercar belongs to the most outstanding fugues Bach ever wrote. It is a work of the largest proportions, whose profundity of thought, magnificent poise and loftiness of sound make it one of the greatest monuments of polyphonic music". (Geiringer) Boccherini (1743-1805) String Quintet in C major, op. 37 No. 7 Andante con moto Minuet and trio Grave Rondo allegro con moto (First performance at these concerts) Boccherini was born in Lucca in 1743 and studied the cello and double bass. In 1768 he settled in Madrid, where he married a Spanish girl, and was patronised by the Infante Don Luis, brother of the King. Don Luis died in 1785 and Boccherini moved to Prussia to become court composer. On the death of King Frederick in 1797, he returned to Madrid, but had difficulty in making a living, having had to give up the cello owing to ill- health. He died in poverty and was buried in a pauper's grave.

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t Boccherini wrote 113 quintets for two violins, viola and two cellos. It is rare to hear any except this one in C major which surely owes much of its popularity to the famous rondo finale; which is a great joy for the cello. Interval String Sextet in G major, op 36. Brahms (1833-1897) 'I love ↑ The circumstances of the birth of this sextet are interesting: Brahms, having spent a summer holiday with Professor von Siebold (of Gottingen University), whose daughter Agathe would obviously have been willing to marry him, wrote to her later saying: you, but I cannot wear fetters'. Then he plunged secretly into the composition of this work, and when it was finished wrote to a friend: Here I have freed myself from my last love'. Agathe's name is spelt out (with the substitution of a D for the T) in one of the themes of the first movement. The opening of this movement. takes us by surprise. It is as though we had entered a room where the players were in the middle of a movement. The viola tremolo and the immediate modulation are what make it so, but the effect is magical; so much seems to have been said already. When the first three movements were completed, Brahms sent them to Clara Schumann. She was enthusiastic: Such a great work in hand, and nobody had any idea of its existence! ... The spirit of the first movement, so soft and gentle, attracts me intensely. The development, too, is entrancing... with you it seems as though each theme attains the real fulness of expression during the process, and that constitutes the special charm of it'. The second movement is misnamed scherzo; it is in fact serious, with more than a touch of melancholy. The middle section. by contrast, starts as a galumphing dance in G major, but the gaiety is short-lived. The third movement is a deeply felt and very concentrated Theme and Variations. There are five in all; the first four in E minor, the fifth in E major, followed by a beautiful long-drawn coda. The last movement, completed a year later than the rest, is an entirely satisfying blend of brilliance and warm lyricism, and a perfect match for the other movements. G.J.B.

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entfor HUDDERSFIELD MUSIC SOCIETY *** *** Monday, 23rd February, 1981 at 7.30 p.m. ojni videzose begatriq od med e of ejory bedetalt saw di nad e'edfagA evol desi var mox HALIFAX PHILHARMONIC CLUB <** **** Jhoe anderd sgnideeredmi (Haydn, Mozart, Schubert and Schumann) amorto ent blodete nov roma grived andsti Venn Street Arts Centre. (v IerovİNU nogmitted to) in viram of giliw need svad Joy brerow aint to goldfacanco erd ileaym best evad I stel? #hnolt bredde edt di bw) Juo lega al emisor Jromovon Jas HI wodt. Friday, 6th February, 1981 at 7.30 p.m. THE PRO ARTE QUARTET OF SALZBURG ** brow Ju 11 Harrison House, mym NEXT bode.com VID igre vd au sexist edovala odj Hi Inbom etsthemmt oft bre beo THE SMETANA STRING QUARTET um 03 Isofgant af **** *** 31 oy diw odd gnfub noiazoxaxs to lepnete Harrison Road, Halifax. FEES ********** ** 23 (Mozart, Janacek and Beethoven) vb 31 ELLAND & DISTRICT MUSIC SOCIETY **** CONCERT: 03 at I acffco vot dsorg s at notw *** **** hot Friday, 30th January, 1981 at 7.30 p.m. 63 oodmange feveb en Ich Iser ententedds ement dose end astudijanoo Jant bras cascong HANSON STRING QUARTET ** af Jensvom broses erfl basbasd ně demit edd to jisja. M-trode al folsy Providence United Reformed Church, Huddersfield. ovom roddo ed of futtfused me

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(e081-Set) bysH 2 HUDDERSFIELD MUSIC SOCIETY tam ant jodya00 *** al Sixty-third Season 1980-81 Th Conta Venn Street Arts Centre vom (adsbonos over de consolroq JEM) as beda tidug Monday, 23rd February, 1981 #81.neontol me stacus to gnil ont of bodsolbub bae 02 ango DONTA DO CHO punch oftenedt QUARTET OF SALZBURG I .bount oo Jud ***** ont caedt I event THE PRO ARTE STRING *** *** Harald Herzl je violin Brigitte Schmid violin Rados ablo 7.12. Werner Christof of Barbara Lubke ja String Quartet in A major, op. 41 no. 3 ** guorodd ont novel viola La ter cello Jnemove it IT Totsm BOTO edt AJ Tonim antal bre ni at bra em Programme e String Quartet in D major, op. 50 no. 6 or, op. 50 no. 6 Temendo in et String Quartet in Bb, K 589 orond t erond eetrea Intdgrodd Quartettsatz enT d.on al JI woud to sa vomud to sense m 1209 goodT solchubert SH yd besuborg abouoe gabiono vay dgtw bellt at ofsnit att "entite neostbs Intervalstis oton omse edt antysio gatysfa Schumann The Pro Arte Quartet of Salzburg was formed from outstanding students of the renowned "Mozarteum" College of Music. Among its teachers were Peter Schidlof of the Amadeus Quartet and Sandor 138 yd 8000 8001 nt barto tasa Jes) I) Vegh. UO domovom broons ont anodnevnes Haydn Mozart IST The Quartet has toured extensively in Europe and in 1980 was guest quartet at the Lindauer Spring Festival. Their London new debut was at the Wigmore Hall during the Haydn Festival last year. da ni ono orij do tr *** We are very pleased to welcome the Pro Arte Quartet on their second appearance at our concerts. drag Jadj oj opremimona evin oqaob eld of ouh nisja teors to omid and most Jeon Idsthue a painisido to vintstroom ont [[ Jastemos a'elly air

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Quartet in D major, op. 50 no. 6 (The Frog) Haydn (1732-1809) Allegro Poco adagio Menuetto allegretto Finale allegro con spirito (First performance at these concerts) Between 1784 and 1787, Haydn wrote 6 quartets published as opus 50 and dedicated to the King of Prussia. In these the thematic development employed in his Opus 33 quartets is cont- inued. The four instruments are again treated as individuals, but co-operate on a single task: to discuss each subject thoroughly so as to cast full light on all its potentialities. Haydn increasingly exploited the transformation of themes, often rejecting the use of a contrasting subsidiary subject. Thus the first movement of this quartet unfolds out of a single theme. 631 The second movement is in 6/8 time and is in D minor. Following a conventional menuetto and trio, the finale gives the quartet its nickname. To quote Geiringer: "In this rather serious and thoughtful series, there is one quartet imbued with Haydn's particular sense of humour. It is no. 6, The Frog, and its finale is filled wigh gay croaking sounds produced by playing the same note alternately on adjacent strings". Quartet in Bb major, K489 Mozart (1756-1791) Juo most hours Allegro Larghetto Minuet and tric eben Allegro assai (Last performed in 1968 by the Wissema String Quartet) In 1789, 5 years after Haydn began writing opus 50, Mozart went to Berlin at the invitation of the King of Prussia, and was commissioned by him to write six string quartets. Only 3 of the set were written, of which the one in Bb was the second. As the king was a noted amateur cellist, Mozart was at some pains to give prominence to that part. The three works were written at a time of great strain, due to his desperate financial position, the uncertainty of obtaining a suitable post from the Emperor and his wife's constant illnesses.

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Yet in this quartet, all the movements are full of the joy of life. The first movement, in sonata form, makes much use of red by counterpoint, particularly in the develbpment section. The slow movement has cantilenas and passages of delightful melody; much importance is given to the cello and much use made of its higher to register. The minuet and trio form the most unusual movement of the work. Both are exceptionally long, almost reaching the dimensions of a finale in the older style. The Finale, a happy rondo, in 6/8 time, is strongly contrapuntal from the opening bar. Quartettsatz D 703 no Schubert (1797-1828) (Last performed in 1975 by the New Budapest Quartet) Thirty years separate this work from the last of Mozart's string quartets, and in that period, Beethoven produced his six opus 18, three opus 59 and ops. 74 and 95. The first of Schubert's four mature string quartets is a single movement in C minor - an allegro assai of great dramatic power. The existence of an incomplete Andante in Ab suggests that Schubert intended a whole quartet, but the Quartettsatz stands by itself, like the Unfinished Symphony. st 20 tot Interval Quartet in A major, op. 41 no. 3 Schumann (1810-1856) Andante expressivo allegro molto moderatore Assai agitato - un poce adagio - un poce adagio tempo riscluto Adagio molto Allegro molto vivace yd (Last performed in 1975 by the Benthien Quartet) 2500 P In his early years, Schumann had a strong tendency to devote himself exclusively during a certain period to one particular type of composition. Between 1830 and 1839, the piano absorbed all his attention; 1840-42 saw the creation of his great songs; the symph- onies appeared in 1841-42. But 1842 was the year of chamber music and the string quartet. Coming at that time in his life, it meant that Schumann undertook this fine and difficult form at the height of his powers, when his inspiration was unimpaired and his technical skill and judgment completelh formed. To prepare himself for this new task, Schumann devoted the Spring of 1842 to a close study of the quartets of Haydn, Mozart and Beethoven. This study completed, the three quartets of opus 41 were

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all written in a little over a month. Schumann's only other chamber music - a quintet, a quartet and three trios - were all written for strings in combination with the piano. Jei nor ed The Quartet in A major opens with a slow introduction, in o which is heard the interval of a falling fifth, with its inversion om of a rising fourth; this plays a large part in the followingroqni allegro and, indeed, throughout the quartet. scherzo; an The second movement is a most original kind of scherzo; agitated syncopated theme is followed by four free variations and a coda. The adagio opens with a long flowing melody of 19 bars by to the first violin; throughout this rich and colourful movement, mit Schumann is in his most romantic mood. The Finale, the longest of the four movements, is a rondo in a dotted rhythm, twice interrupted by a "quasi trio" in gavotte form. etmi C.A.S.reg Jand) ** HUDDERSFIELD MUSIC SOCIETY NEXT CONCERT *** Thursday, 12th March at 7.30 p.m. somm 0 ns to oforiw s bobrodt violin and piano recital tomaba ote famoont a bode.in fin Ja de Beethoven odd dd Josup edi Sonata in G Sonata in A •ynosiqmy? Sonata in D minor -donya sdt ni bus atodroup atte ago bus gauco ootd 81 augo SYLVIA ROSENBERG & LAMAR CROWSON anda ordem wol (jedrsp Je olaum JO BUO The Society apologises for the substitution of Lamar Crowson for the advertised Craig Sheppard, but we are advised that Miss Rosenberg is no longer playing with Mr. Sheppard. Mr. Crowson has partnered Miss Rosenberg frequently in the past and we are glad to have such a distinguished pianist in Mr. Sheppard's place. HUDDERSFIELD THESPIANS reigos Faure Brahms March 2nd 7th at 7.30 p.m. CA "Ten Times Table" by Alan Ayckbourn) nov Venn Street Arts Centre. aboub vin HALIFAX PHILHARMONIC CLUB Thursday, 26th February at 7.30 p.m. 20 toemid o tegdos JeeThe Aldeburgh MASO Beethoven, Dohnanyi Harrison House, Harrison Road, Halifax. String Trio S081 noitmetis and Mozart. and Mozart. ni bozsergs solno 1800 30 do 6 201 ELLAND & DISTRICT MUSIC SOCIETY W Igant ENGLISH CAMERATA PIANO TRIOmegbut bre bla torsoota of odt befovab ma Friday, 13th March, at 7.30 p.m. United Provident Reformed Church, Huddersfield Rd. Elland. .novorides to ybuje osolo s of Su8t to gminge

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(9581-0991) (novell nee m HUDDERSFIELD MUSIC SOCIETY totes 0 nt steno8 ** Sixty-third Season 1980-81 Venn Street Arts Centre March, 1981 to Ils omsiq b Thursday, 12th Thursday, 12th oled (de .ao) ritmet end bas bra (s od bearrotroo dasI) onn 72 .S081 ml sodd SYLVIA ROSENBERG el robraxelA LAMAR CROWSON to **** or nevadtool X) dinin ort do violin O JIRO Mejjel edt of ont etsnoe mt piano to bed odt at I **.*leau 10 roxoqn (20 edt no cortevbs tsorg soforw a esos antenoe sordt een assos onsiq bos nifolv toifaso Jelnata o ofidue ozon Programme oowded comsled od zodat aeropod adance dose dadd a Luzor odd bretag ocodrive and romurdent ofoe ond rol oub s Beethoven Sonata in G major, op. 30 no. 3 esons Jasurohe nevoddood tadscoa dos Faure Hoemin Sonata in A major, op. 13dence of bre nosotroque rewo deids-wollel al brs novont i bus novoritool yd novig atteodoo Shomole oas talv edt dd dold Interval od faoil Jaeroduit stod nongo Iovob e'stsnoz odd ddiy bonidos al Sonata in D minor, op. 108 Brahms Et go totam mt adeno Sylvia Rosenberg was born in New York and graduated at the Juilliard School of Music, where she studied with Galamian. She has worked with Szymon Goldberg and Nadia Boulanger and has performed frequently at Rudolf Serkin's Marlboro Chamber Music Festival. da Torosod bras rocognos donor anibsofs as opel feladeD re Lamar Crows on, the renowned chamber music player and it a solo pianist, has toured with Miss Rosenberg, with Pierre des Fournier and with other distinguished artists. For several a years, he was the pianist of the Melos Ensemble.co brune fois OUT FRO ovell au sorg rofw 10 29008 Iuli onit emos oorw ocis eller etelos bas asognie dw edodreup outsig odd videdon oleum xodmsdo 720

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Sonata in G major, op. 30 no. 3 ve Beethoven (1770-1827) Allegro assai Tempo di Menuetto Allegro vivace (Last performed in 1946 by Ginette Neveu & Jean Neveu) Beethoven wrote ten sonatas for violin and piano, all of which, except the ninth (Kreutzer) and the tenth (op. 96) belong to the latter part of his first period between 1799 and 1803. This sonata in G major is the eighth and was written in 1802. It is the third of a set of three dedicated to Alexander 1, Emperor of Russia. These three sonatas are, as a whole, a great advance on the earlier violin and piano sonatas; ano sonatas; the technical demands are higher, the balance between the parts more subtle. The pianist has a virtuoso part, and the result is that each sonata becomes a duo for two solo instruments. External circumstances had much to do with this conception of the duo sonata: Beethoven himself was at the height of his powers as a performer and the sonatas were written for particular concerts given by Beethoven and his fellow-artists. Much of their interest lies in the skill with which the virtuoso element is combined with the sonata's development. Sonata in A major, op. 13 Allegro molto Andante Faure (1845-1924) Allegro vivo Allegro quasi presto (First performance at these concerts) 65 Gabriel Faure was a leading French composer and teacher at a time which saw the renaissance of French music. He and his contemporaries, Lalo, Charpentier, Chabrier, Duparc, d'Indy, strove for a clear lyrical form with precision, balance and rich sound colour. Faure became known as a composer for his beautiful songs, of which "Apres un Reve" is a great favourite with singers and cellists alike. He also wrote some fine chamber music, notably the piano quartets.

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The violin & piano sonata op. 13 is the first of two, the second op. 108 being written much later, in 1917. Opus 13 was written in 1876, twelve years before Brahms' D mi. Sonata. The first movement reproduces the structure of the Mozart sonatas; the second movement is a lyrical Andante in a rocking 9/8 barcarolle rhythm; the third a sparkling Scherzo and the last a finely developed Finale with a characteristic, flowing theme. Tot Interval Sonata in D minor, op. 1084 or Allegro Adagio (Jamb Brahms (1833-1897) Un poco presto e con sentimento Presto agitato (Last performed in 1946 by Arthur Grumiaux & Hubert Greenslade) Brahms wrote three violin and piano sonatas between the years 1878 and 1888 - the period of his ripest development. The first, the Rain Sonata, so-called from its use of the song "Regenlied" and the musical rhythm of the softly dropping rain, dates from the summers of 1878-90. In the second, the "Meistersinger" named from the resemblance of the opening theme to Wagner's Preislied - Brahms has made experiments in form. The third sonata, completed in 1888, is more brilliant and vehement in style than the two earlier ones.. It is dedicated to Hans von Bulow and seems to have something of his restless and strenuous temperament in it. The whole introductory movement is dominated by the first theme, in which treble and bass are employed to elaborate it. The most original portion of the movement is the long pedal-point, first heard under a rocking violin figure, which is really a subtle development of the main theme and its bass. The Adagio is short and intense; it is followed by a light and igh delicate Scherzo (in duple time, as so often with Brahms) and the work ends with a fiery and brilliant Finale. Mom 10 ber

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forvedT 801.go brossa 8781 at nodibw odd yowd to death sw El argo Ster *** stanoam Gam ovlovd October, 1981 The first concert will be held in the Town Hall as part of the Town Hall Centenary celebrations. The date (25th or 26th Oct.) and the artists are not yet confirmed. offorored red 16th. vo Nov. 16th. NIE F bogolovebylonit Apollo's Banquet (violin, viola, cello, flute, oboe) Caroline Dale (cello) & Keith Swallow Monday, Nov. Monday, Dec. 7th. E Thursday, 14th Jan. 1982 from th Monday, Feb. 22nd. Monday, Mar. 22nd. NEXT SEASON'S ARRANGEMENTS **** botfeter! HUDDERSFIELD THESPIANS April 27th May 2nd Denis Evesque & Agnes Huber (piano duet) nt borrotrog Jasl) emulsy8 oneta bas niloty gordt of Jasoft aid to botrog ond 888b bos 8781 to COWARDY CUSTARD Iso-02 from the works t bakar aniqgorb vI to mildy of Noel Cowards 000 U Lindsay Quartet ay qua Coull Quartet HALIFAX PHILHARMONIC CLUB pje ko Venn Street Arts Centre at 7.30 p.m. Sanego and beer and mort atmominegre sm asd andey 8 381 at betoquo HANSON STRING QUARTET ide at drome dov ban a retr Haydn, Ravel and Mendelssohn wolul nov anell evom troJoubo 12 ni fromenogmed apormosta Friday, 27th March 1981 at 7.30 p.m.ement dex22 odd yd bodentmob Harrison House, Harrison Road, Halifax. eom od dt odazodale of 9 foun Teed Jezitatoo-febed inol em end 30 Jhongo [svob olidua s viser ati ELLAND & DISTRICT MUSIC SOCIETY gonetni brs Joda ab ofgabh edI and be (an ander Iw noflo oz esett efqub a) osredot otecilob Friday, 13th March, 1981 am Jastlid bns reft 7.30 p.m. ow ENGLISH CAMERATA PIANO TRIO i Providence United Reformed Church, Huddersfield Road, Elland.